Nate Berkus in Parade Magazine: a True/False quiz

The ever-adorable Nate Berkus was the cover story in Sunday’s Parade Magazine. Former Bossette and all-around awesome chick Elizabeth Spratt Cooper (her new biz is called Art & Design Partners – website coming soon!) gently suggested that I might want to weigh in on his “Three Things a Designer Can Help You With” and “Three Things You Don’t Need a Designer For.”

Boy, was she right!

I’m loathe to disagree with Nate about anything. I mean, have you seen him? (Of course you have. You don’t live under a rock.) He’s a doll.

Nate Berkus

And he’s talented and savvy and thoughtful, and he hasn’t exactly had an easy time of things. (His beau, The Tsunami…you remember.)

But I will politely, professionally, challenge my esteemed colleague on these points.

Three Things Nate Says A Designer Can Help You With:

1. Getting the scale right. TRUE! says bossy color. This might be the biggest challenge for home decorating enthusiasts. Huge sofa + diminutive cocktail table = Alice in Wonderland.

John Tenniel's drawing of Alice in Wonderland growing out of a room

2. Mixing styles. TRUE AGAIN! says bossy color. It’s harder than it looks.

Black study black library

3. Access to resources. TRUE, most of the time. Thanks to the magic of the Internet, we can get our grubby little mitts on many things that until recently were available only “to the trade.” But for the super fancy stuff, like Holly Hunt furniture or massive quantities of Manuel Canovas toile fabric and matching wallcovering, it helps to have one of us on your side.

Manuel Canovas orange toile fabric and wallcovering

Three Things Nate Says You Don’t Need a Designer For:

Here we go.

1. Buying furniture. Nate says “You don’t need anyone’s help to buy a well-made sofa or chest of drawers.” Well, TRUE, but please see Point #1 above. Buy at will, but install at your own risk.

Lief chest of drawers with brass handles from 1st Dibs

2. Hanging artwork. FALSE! Nate specifically mentions gallery walls, and how he loves it when disparate things — framed/unframed, large/small, “important”/”modest” (these are my designations) — are mixed. I agree with that. But guess what. Mixing them is MUCH more difficult than it appears. I do this for clients often.

Gallery wall art wall

3. Choosing colors. FALSEFALSEFALSE! Holy cow. If I believed this, I’d be out of a job. Nate says, “I’ve always felt that color is intrinsically personal.” Darling, of course it is!

But if you want, say, a vibrant blue bedroom — if you ENVISION a vibrant blue bedroom — it can be impossible to create in real life what you picture in your head. It takes trial and error…and even then, you might not get it quite right. And THEN you have to make sure this room color works with the other rooms in your home.

Blue bedroom with red bedspread Elle Decor

Frankly, I think paint colors are one of the first reasons you should call an interior designer (designer, design professional, decorator…tomato tomahto.) So on this point, my friend from Minnesota/NY and I respectfully agree to disagree. (That’s so shades of the VP debate, isn’t it? “My friend the congressman…” But I really WOULD be friends with Nate Berkus if he wanted. I think we’d have fun.)

The moral of the story, Gentle Readers? Think for yourselves. And then call me.

Quoted in publications from The New York Times to The Washington Post to Real Simple magazine, Annie Elliott is considered an expert in color, residential space planning, and telling people what to do in the nicest way possible.

Thanks, Associated Press! “Carpet, the bolder the better, makes a comeback”

Do you remember reading my post about wall-to-wall carpeting a few months back? About how it’s making a comeback?

Patterned carpet in bay window

Wall-to-wall carpeting in bay window (Photo: Michael K. Wilkinson for bossy color)

Well if you didn’t, now you won’t have to!

Manuel Canovas bedding and headboard, Crate & Barrel lamp, Horchow side table (Photo: Michael K. Wilkinson for bossy color)

The AP interviewed me last week for a story about it, and it hit the papers – and the web-waves – yesterday. Newsday, The Washington Post, and abc.com lead the list, but the story also was carried by aol newsThe Albany Times-Union, and others.

Wall-to-wall stair runner

Striped wall-to-wall carpeting on staircase (Photo: Michael K. Wilkinson for bossy color)

Most papers also carried 2 of my – (“my” = the work of my fabulous photographer, Michael Wilkinson) pictures, which was super duper.

What’s new about wall-to-wall is PATTERN. That and color. We’re not talking about the beige berber you have in your basement. We’re talking about strong, graphic carpeting.

Wall-to-wall carpeting in playroom

Bordered wall-to-wall carpeting in playroom (Photo: Michael K. Wilkinson for bossy color)

(Huh? What’s the name of the carpeting in the bedroom pictures? I knew you were going to ask that…I think the name involves the word, “princess,” but I’m going to have to let you know when I’m back in my real, non-remote office with all of my files. Sorry about that.)

In any event, Gentle Readers, the stigma is gone. Carpet away!

Art wall with heating vent

Art wall over Wisteria chest (Photo: Michael K. Wilkinson for bossy color)

Annie Elliott – aka bossy color – is an interior decorator and design blogger in Washington, D.C. She’s considered an expert on color, residential space planning, and telling people what to do in the nicest way possible. She’s also a proud member of the Color Outlook team:  6 experts from across the country who podcast quarterly about color trends and forecasts.

Bossy color’s living room – another update

The other day I was talking to the wonderful Sheila Hagar of the Walla Walla Union Bulletin, and she casually asked, “So how’s your living room looking these days?”

Egad! I thought. (Or something close to it.) Things have changed! Not too much, but still, enough for an update.

Yellow living room

It was 2 short months ago that I thought I’d cracked the code on the art wall over my sofa. But the minute I pressed “publish” on that post, I knew the wall would have to change. Writing about Albert Barnes and his goofy picture-hanging tendencies got me all twisted up.

So we re-hung those suckers pretty quickly. (Once again, thanks, Uncle Jimmy. Also known as the bossy color serf.)

Blue sofa with yellow art wall

And what else do you see? That’s right! FINALLY! Accent pillows! (Best Christmas present ever. I did guide the giver, of course.)

The pillow covers are from Mi Casa Bella on Etsy. And please note that they’re not yellow and WHITE; they’re yellow and OATMEAL :)   Big difference.

Yellow Zebra pillow

I originally wanted the pillows for the moss green sofette in front of the window. But then I remembered this mohair throw wasting away in the back of a closet. I think it’s a good substitute. (Plus I already had it. Always a bonus.)

Plaid mohair throw

Bottom line (and I know you’ve heard this before, but please keep the guffaws to a minimum): the living room is done FOR NOW. Sure, I’d love to do something w/ those darn chairs. And I’d like to replace the light blue lamp (which really belongs in my office) w/ a white one. And the peachy velvet on the tiny embroidered chair is wrong wrong wrong. But all in all, I can live with this for a while.

See? No pithy comment at the end. So you KNOW I’m serious.

Photograph in yellow living room

Annie Elliott – aka bossy color – is an interior decorator and design blogger in Washington, D.C. She has been quoted in publications from The Washington Post to Real Simple and is considered an expert on color, residential space planning, and telling people what to do in the nicest way possible.

Benjamin Moore’s AC-26 Ozark Shadows (and a bossy basic) saved this meeting room!

I love small businesses. I mean, I know I am one, so that makes sense, but when a professional photographer and a letterpress owner /graphic designer  said they needed a bossy basic for a new meeting space, I jumped at it.

They each have their own offices, but they decided to go in on a nice room in a central location where they could meet with clients. This is the room before. Not huge.

Bare windows

You can see from the view what an adorable neighborhood lies outside. It’s really a brilliant spot for a meeting room. Bare roomIn the upper left picture, you can see a little anteroom. We had to deal with that, too.

The look we wanted: sophisticated but not stuffy. Expensive (professional photographers and personalized stationery aren’t cheap; the room had to convey that). Modern but not scary. Stylish. Minimal. The last one was no problem, since space and budget were limited.

We set the priorities as:

Benjamin Moore's AC-26 Ozark Shadows1.    Floor
2.    Paint
3.    Rug
4.    Meeting table & chairs
5.    Sideboard (for anteroom)

I suggested replacing the icky carpeting with a super dark brown hardwood floor. We lucked out: there was a lovely, weathered old floor underneath that revolting wall-to-wall, which we (the royal “we;” the clients did the work themselves) stained.

Paint colors were the next order of business. You know I’ve been gray-obsessed as of late, but even so, I thought a rich gray was the right move for this space. Fresh but sophisticated, soothing, not overwhelming. Allows clients to focus. Benjamin Moore’s  AC-26 Ozark Shadows was the big winner, with OC-17 White Dove trim.

All I did was make recommendations, and they implemented them. That’s the beauty of a bossy basic; it’s a lot of bang for the buck if you’re willing to buy things on your own.

Here are the afters. The anteroom:

Stylish anteroom

The client thought to use Ikea cable hanging systems on the wall That makes it easy for the designer to display sample invitations and stationery. There will be some kind of coffee thing on that white piece, which is Italian.

Pictures on cable system

And the meeting room:

Grey room with green rug

I love it! After we hit on dark brown for the floors, gray walls and an apple green rug popped into my head. A key with gray is to balance it with warm tones so it doesn’t get too cold. Thus the Natural Woven Roman Shades from Smith + Noble.

You’ll recognize the table and chairs, of course: the Saarinen Tulip table and Eames aluminum management chairs. (Knockoffs, I believe, but I have mixed feelings about those, so I didn’t pry.)

Gray meeting room

The George Kovacs aluminum pendant light and was extremely well priced – around $200.

Etched glass door

The final touch – which the clients thought of themselves – was to have the door etched in a pattern similar to the Madeline Weinrib Brooke rug. The light through this door makes such a beautiful pattern on the floor of the anteroom that I suggested replacing the animal print rug with something solid (or with an overall texture but not a large pattern). The shadow will become the pattern.

Best wishes, guys! I don’t know how anyone could NOT hire you once they’ve seen your gorgeous meeting space. Oh yes, and your work, too :)

Before picturesAnnie Elliott – aka bossy color – is an interior decorator and design blogger in Washington, D.C. She’s also the creator of the “bossy basic,” a one-time service that jump-starts the interior design process in your home.

Remember my client’s gray DR? It has an art wall now!

Not so long ago, I spoke with you about “art walls.” We started with WHAT to Hang, then moved on to how to FRAME it, and then how to HANG it.

Seems I got one of my clients all riled up.

There’s a gigantic blank wall in her cheerful gray dining room…

Gray dining room

…(remember this room? It’s painted Benjamin Moore’s AC-28 Smoke Embers, with a Thomas Paul Roman Shade)…

Thomas Paul fabric Roman Shade

…well, that big blank wall was starting to get on her nerves.

So she went on kind of an art bender. She gathered up every framed picture in her entire house AS WELL AS stacks of pretty cards a dear friend sent her over the years.

And then she called me to come make sense of it.

Postcards

It was a little overwhelming at first. But pretty quickly we decided to group the larger, already framed pictures in other parts of the house, and feature these postcards – which were not only pretty, but meaningful to my client – in the dining room.

Postcards

The postcards weren’t all the same shape or exactly the same size, but we determined that most of them would fit into an 8 x 8″ frame.

So we chose 16 cards with the idea that we would hang them in a grid: 4 up, 4 across.

8x8 picture frameChoosing was no small task. But we based the decisions on how well the cards worked together as well as how much we liked each one individually.

Then we ordered 16 square frames from a random online source. (Worked out fine.)

THEN – and this was the most expensive part of the project – we had an off-white mat cut for each postcard. I think it cost about $11 per mat. It was CRITICAL, though: the mats and the frames are the unifying element. Et voila:

Art wall hung in grid

There’s 1-1/4″ between each frame, in case you’re wondering.

We hung these while the client was at work, and later that evening I got a voicemail that said, “ANNIE! I just got home and I LOVE LOVE LOOOVVVEE lovelovelovelovelovelove the art wall!”

So I think she likes it  :)

Art hung in a grid

Annie Elliott – aka bossy color – is an interior decorator and design blogger in Washington, D.C. She’s also the creator of the “bossy basic,” a one-time service that jump-starts the interior design process in your home.

Creating the perfect art wall, part 4: That je ne sais quoi

This is the final installment in the “How to create the perfect art wall” series.

I believe my living room art wall will be my last obsessive personal project in 2010. Even though (spoiler alert) it might not even be finished by December 31.

Art wall in yellow living room

But to review. Recently, we talked about what to hang on an art wall. Framing. And different ways to hang the art – in a grid, randomly, etc.

Even armed with all of that information, though, there’s that je ne sais quoi that tells you whether an art wall is successful or not. And if it isn’t, you have to make adjustments.

I thought I’d cracked the code when my LR walls were white.

Living room art wall

But then we painted. So I re-hung the art, and all was right with the world. For a while.

THEN my lovely Mona Sofette (in Moss velvet) arrived from Mitchell Gold a few weeks ago. I love it!

Mitchell Gold's Mona sofette

But egads! The successful art wall was no longer successful! The heavy black frames on the largest pictures were too graphic. And dark. They didn’t look right with the soft gray-green of the sofette.

Art wall with blue sofa

Plus I was feeling that after living with this art wall for a few weeks, we needed more space between pictures on those zingy yellow walls.

I took the 3 biggest black-framed pieces down (I left the tiny one) and just for fun, I put up two other paintings on those hooks to see what was what.

Art wall in progress

Potential?

I didn’t have the different scales to play with anymore, which was too bad; these pictures are mostly the same size. But they’re what I had to work with if I didn’t want black frames.

Art on floor

Because there are now 2 pairs of similar pictures in this group (same artist, same frames), the pictures just wanted to be more symmetrical than I’d envisioned. I felt like I had no say in the matter.

Uncle Jimmy hanging art

Art wall in yellow living room

So, symmetry.

Dr. Albert BarnesColor-wise, I like how this looks – can you see the glimpse of the new sofa on the left? But art wall grouping-wise, it feels a little hokey. (Sorry, family. They were here for Thanksgiving, and they loved it. But on second thought, maybe they were just saying that. Now why would that be? Hmmmm…)

Have you been to the Barnes Foundation in Merion, Pennsylvania, outside Philadelphia? Dr. Barnes was this kooky but brilliant collector who bought zillions of pieces from guys who weren’t so fashionable at the time. Relatively unknown artists such as Renoir, Matisse, Cezanne, Picasso…real losers.

Anyway, Dr. Barnes was SO kooky (and arrogant) that he hung the pictures in a very particular way, quasi-symmetrically, with various Pennsylvania Dutch hinges and things hung in between them.

Barnes Foundation gallery

And then he MANDATED through a variety of legal documents that have kept lawyers busy for decades that the art NEVER be moved or re-hung. EVER.

Therefore, packed with masterpieces though they are, the galleries are pretty strange. And tragically, my living room reminds me of them.

Without the Picassos, of course.

Big fat sigh.

Maybe Santa Claus will bring me one largeish, colorful, wood or silver-framed piece of art and I’ll be able to re-hang the whole darn wall in a looser fashion.

In the meantime, Gentle Readers, I hope this art wall series has armed you for battle against those yawning, blank walls in your house. If you follow those suggestions – and then trust your gut – it will look terrific.

Benjamin Moore’s AC-31 Hot Spring Stones, I love you

It looks beige in the color wheel. I have used this color as beige before. It’s pretty.

But I never thought of Benjamin Moore’s AC-31 Hot Spring Stones as gray.

Hot Spring Stones vs. Revere Pewter

Nonetheless, eternal optimist that I am, I was hoping against hope that somehow, in my south-facing-but-still-doesn’t-get-a-ton-of-light-thanks-to-the-porch-roof dining room that it would read as a warm gray, not beige.

Annie painting

I’m delighted to inform you that after much painting…

Annie and Uncle Jimmy painting

And a little goofing off…

Annie goofing off

Uncle Jimmy painting

It IS gray!

Gray dining room with floral drapes

A WARM gray!

Yellow painting in gray dining room

And I LOVE IT!!

Gray dining room with red and gold

The best part might be that we used Benjamin Moore’s Aura paint – which I usually do, these days – but it really only took one coat! We used a super cushy roller and were liberal in the application, and we made it with one gallon, one coat. It was awesome.

Anyway, back to Hot Spring Stones, the color. I  think it looks great with the ceiling, and the art,

Yellow painting on gray wall

Andrew Turner church painting

And that challenging rug. The wall color ends up looking like a light version of the dark grey/brown in the rug, not like the camel in the rug. Does that make sense?

Gray dining room with striped rug

What? What’s that you ask, Thanksgiving guests? You want to know why you’re being served Stouffer’s turkey pot pies and frozen peas that are still frozen? Well, look around you! Isn’t it obvious?! And wasn’t it worth it?!?!

On second thought, don’t answer that.

Annie Elliott – aka bossy color – is an interior decorator and design blogger in Washington, D.C. She has been quoted in publications from The Washington Post to Real Simple and is considered an expert on color, residential space planning, and telling people what to do in the nicest way possible.

How to create the perfect art wall: 3. How’s it hanging?

So you’re surrounded by old favorite and newly-acquired pictures, all resting comfortably in their shiny new frames.

Now what?

There are about a zillion “right ways” to create an art grouping. But my saying, “Just fiddle around with the layout until it looks right ” is supremely unhelpful.

So I’ve tried to break it down.

HANG IN A GRID

I find grid hanging to be extremely effective when you have a series of pictures. It’s both authoritative and restful, and it brings an order to a room.

Art hung in a grid

From i on Design through Elle Decor

Just yesterday I was at a client’s house talking with her about an art wall. She has many (MANY) art postcards that are meaningful to her, so we may buy 20 square frames with white mats, frame the postcards, and hang them in a grid in her dining room.

Postcards to be framed

Postcards to be framed. And of course we'll be reupholstering that chaise.

HANG IN A SQUARE

When in doubt, try this. As you’re laying the art out on the floor or a bed, create a big imaginary square: line up the left edges of the art on the left side of the square and the right edges on the right side. Same with top and bottom. And then you can fill in the rest however you like.

It works! Especially if you have, say, 9 or more pieces to hang.

(A few weeks ago, there was a snippet in the Financial Times or Wall Street Journal about this…it was an interesting article.  And naturally I can’t find it now.)

Art hung in a square

Art hung in a square, through musings of a night owl

HANG IN A RANDOM ARRANGEMENT

This is the most difficult to describe, of course, because a grouping will look right or it won’t. I tend to (TEND TO) start with a piece in the center and add one picture at a time, alternating R and L, trying to balance the arrangement as I work.

This is how I did my own living room:

Laying out pictures for an art wall

Starting an art wall

Hanging an art wall

Hanging an art wall

Continuing the art wall

Finishing the art wall

Sorry – there’s quite a leap between the last two pictures. (I was anxious to finish!):

The 6th picture I hung was: the pastel over the Japanese guy

7th: oil painting in bottom left

8th: round wooden piece above it

Last: tiny colorful picture on the far right, which I think is critical to the whole grouping.

Here are a few rules of thumb for the random arrangement:

  • Use an odd number of pieces
  • Leave approximately the same number of inches between pieces – I tend to use from 2-1/2″ to 4″
  • Cheat by hanging hang everything against a boldly colored wall. It helps erase a multitude of hanging sins.
Art on blue wall

From sfgirlbybay

I hope this is helpful, Gentle Readers. Go forth, be bold, and remember that there’s always more than one right answer when you’re hanging art.

(By the way, Apartment Therapy has a very helpful article called, “How To: Hang Art in Groups (Like Kate Spade),”and this technical post from Artist, Emerging is excellent. As is this i on Design blog post, which provided many of the pictures for this series.)

Annie Elliott – aka bossy color – is an interior decorator and design blogger in Washington, D.C. Look for her advice about jewel tones in the November 2010 issue of Real Simple. Page 155. Not that we have it marked or anything.

How to create the perfect art wall: 2. Framing

Part deux in a trois-part series. Part un was “What to Hang.”

Now that you’ve ransacked your closets, shopped online, and sneaked things out of your grandmother’s house, you have to frame the goods.

We know that having some unifying element on an art wall is a good idea:

  • the kind of object is the same (all drawings, all prints, all photographs), or
  • the style is the same (historic, bold/graphic, contemporary/urban/hip – large white mats around each piece can making things look like they’re the same style), or
  • the palette is the same (bold colors, neutral colors, black and white, or the same recurring accent color),
Large scale art wall

From Canadian House & Home

  • or the frames can be the unifying element. The right frames can create order out of chaos.

Stay with me.

SAME EXACT FRAMES

For the most cohesive look, take a page from Todd Oldham‘s book and use frames that are the same size and style. (These are best hung in a grid…but we’ll get to that in part trois.)

Art wall hung in rows

Todd Oldham's country house, i on Design through Elle Decor

SAME COLOR, DIFFERENT SIZES

This might be even easier than using the same exact frame, because you may not have to start from scratch.

You could use all plain black frames (the SFgirlbybay blog entry from which this picture comes is terrific, btw)…

Graphic art wall

From sfgirlbybay

…all dark brown wood, all light wood, all silver, or all gold. That last one is hard for me to admit, because gold frames can be tricky, but it’s true.)

As for getting your hands on similar frames, easy peasy. You can shop online, but there’s SO MUCH packaging associated with shipping frames that you can almost hear the trees crying. I’d rather you go to Ikea and buy in bulk, or spend a month going to flea markets, garage sales and secondhand shops, buying pictures for their dusty, charming wood frames.

Ikea Virserum frame

Ikea's Virserum frame

FRAMES WITH THE SAME TONE

This gets a little more tricky, but I have confidence in you!

As you’ve seen in magazine picture after magazine picture, frames do not have to match exactly. Especially in an “eclectic” grouping. But if the tone is similar, you achieve a comforting unity.

Dark brown wood looks great with gold, because both have a a rich, warm tone. Remember that wallpaper picture from the other day?

Gold picture frames

From Gait Interiors

Cool light tones, such as white and silver, can be peaceful. Notice how these frames are simple, which adds to the serene, cohesive feel.

pastel art wall

From orangebeautiful.com

Here’s another cool grouping in the form of white and light wood. Note the white space around most of the pictures. That contributes to the airiness.

Cool tones picture grouping

From sfgirlbybay

And another strong, warm grouping. Yes, the similar pictures and oval shapes unite this arrangement, but also notice the frames: brown, black, and gold.

Oval frames

From sfgirlbybay

Next time, I’ll talk about hanging the art. And after that, some fun critiques – including of my own living room art wall.

Annie Elliott – aka bossy color – is an interior decorator and design blogger in Washington, D.C. Look for her advice about jewel tones in the November 2010 issue of Real Simple. Page 156. Not that we have it marked or anything.

How to create the perfect art wall: 1. What to hang

Art wallshave been on my mind for weeks.

Sort of a clunky term, but it’s descriptive. “Salon grouping” is more elegant, and I seem to remember the phrases, “masterpiece hanging” and “gallery hanging” from graduate school…but I could be making those up.

4 art walls

From Art4Friends

When I found myself suggesting that a Gentle Reader create an art wall in her apartment, I thought it was time to elaborate. Because, look. It’s hard to find big, grownup, affordable pieces of art that you love. And there are a lot of blank walls out there.

Hanging a group of smaller pictures can be a more realistic solution. (Not to mention more flexible and fun.)

Curved staircase art wall

i on Design through Elle Decor

ECLECTIC GROUPING

You must have something that’s meaningful to you. A postcard? Wine labels you collected on your honeymoon? Ticket stubs? A silly sketch? The list you used to carry around in your Filofax enumerating the qualities your perfect mate would have and then when you met him you gave him the list with a checkmark next to each thing?

Maybe you don’t have that last one.

Eclectic art wall

Domino Magazine (RIP) through All the Best

But the point is this: if you want an eclectic grouping, start with something you love. Then mix it in with art you buy online, other personal things, and even an object or two.

If the thing you love is tiny, put it against a mat in a larger frame. Framing larger is safer. Effective art walls mix sizes and scale, but for the novice, it’s safest to say that no piece should be smaller than 8 x 10″ (although you could throw in single 5 x 7″. )

Art wall over dresser

From House Obsession

ART GROUPING

If, after all the time we’ve spent together, you tell me you don’t know where to buy art, I will weep.

Huge art wall

From Roseland Greene

Thanks to the magic of the Internet, you can appear interesting and tasteful without changing out of your pjs.

You’ve heard me expound the virtues of Etsy

Yee Haw on Etsy

"Pumpkin letterpress print," by Yee Haw, Etsy

and 20×200.

Amy Jean Porter, 20x200

"Rose-breasted Grosbeak," by Amy Jean Porter, 20x200

Add to that list the New York Public Library and the Smithsonian Institution for prints of all sizes.

New York Public Library digital print collection

San Francisco (1851). NYPL Print Collection.

SIMILAR THINGS GROUPING

Maps. New Yorker cartoons (consider xeroxing them larger than the originals). English bird or botanical prints. Black and white engravings.

Black and white art wall, Elle Decor

Elle Decor

Even pieces of wallpaper. I’ve mentioned this post before, but Gait Interiors blog has a lovely tutorial on using wallpaper as art.

Framed wallpaper art wall

From Gait Interiors

Start gathering, Gentle Readers! Next time, I’ll tell you how to frame it.

Annie Elliott – aka bossy color – is a recovering art historian. She is an interior decorator and design blogger in Washington, D.C. specializing in paint colors, space planning, and telling people what to do in the nicest way possible.

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